Abstract: As a Tibetan indie filmmaker, Pema Tseden is endowed with an ethnic advantage. In his films, he focuses on the real-life conditions of Tibetans. Observing ethnic groups through the personal perspective of the individual, he profoundly contemplates the condition of Tibetan culture in the modernized world while reflecting on China through the geographical perspective of borderland. In terms of form, Pema Tseden’s films represent the unique features of Chinese film aesthetics and poetics by adopting special Tibetan images and the implicit narrative structure of blank space.