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In the Kaiser's Capital / Dickie, James Francis (Public Domain)

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Copyright

Public Domain Mark 1.0. You can find more information here.

Bibliographic data

fullscreen: In the Kaiser's Capital / Dickie, James Francis (Public Domain)

Access restriction

There is no access restriction for this record.

Copyright

Public Domain Mark 1.0. You can find more information here.

Monograph

Author:
Dickie, James Francis
Title:
In the Kaiser's Capital
Publication:
New York: Dodd, Mead and Company, 1912
Language:
English
Digitization:
Berlin: Zentral- und Landesbibliothek Berlin, 2024
Scope:
315 Seiten
Note:
"History of the American Church in Berlin" im Anhang
Keywords:
Berlin ; Geschichte 1871-1918 ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung
Berlin:
B 184 Kulturgeschichte: 1800 -1918
DDC Group:
900 Geschichte
URN:
urn:nbn:de:kobv:109-1-15493784
Collection:
History,Cultural History
Location:
Zentral- und Landesbibliothek Berlin
Shelfmark:
B 184/132
Copyright:
Public Domain
Accessibility:
Free Access

Chapter

Title:
Chapter XVI. Theodore Mommsen

Contents

Table of contents

  • In the Kaiser's Capital / Dickie, James Francis (Public Domain)
  • Cover
  • Illustration: The Emperor reviewing his troops (Ill.: Schuch, Werner)
  • Title page
  • Dedication
  • Preface
  • Contents
  • Illustrations
  • Chapter I. The Royal Family
  • Chapter II. The city and the colony
  • Photograph: Relieving the guard
  • Photograph: Early morning on Friedrich Street
  • Photograph: Eary morning on Friedrich Street
  • Photograph: Am Krögel. The narrowest street in Old Berlin
  • Photograph: The Waterfall - on the Kreuzberg
  • Photograph: The troops taking the oath of allegiance
  • Chapter III. Housekeeping in Berlin
  • Photograph: Round the german stove
  • Chapter IV. Berlin street characters
  • Chapter V. Berlin legends
  • Photograph: The Great Elector
  • Chapter VI. Notable visitors to Berlin
  • Chapter VII. Emil Frommel
  • Chapter VIII. Adolph Stoecker
  • Photograph: Revd. Dr. Stoecker
  • Chapter IX. Ernst Curtius
  • Chapter X. Joseph Joachim
  • Photograph: Professor J. Joachim
  • Chapter XI. Adolph Menzel
  • Chapter XII. Professor Harnack
  • Photograph: Professor Dr. Harnack
  • Chapter XIII. Otto Pfleiderer
  • Photograph: Professor Pfleiderer
  • Chapter XIV. Dr. Rudolph Virchow
  • Chapter XV. Hermann Grimm
  • Photograph: Professor Hermann Grimm
  • Chapter XVI. Theodore Mommsen
  • Illustration: Professor Mommsen
  • Chapter XVII. Mark Twain
  • Chapter XVIII. Frau Meta Hempel
  • Photograph: Frau Dr. Hempel
  • Chapter XIX. Extracts from a lecture on old Berlin by Frau Meta Hempel
  • Chapter XX. The Salons of Old Berlin
  • Illustration: Moses Mendelssohn
  • Chapter XXI. The Salon of Henriette Herz
  • Illustration: Henriette Herz
  • Chapter XXII. Salon of Rahel
  • Illustration: Rahel Levin
  • Appendix. History of the American Church in Berlin
  • Cover back
  • ColorChart

Full text

THEODORE MOMMSEN 181 
ing a man with a picture in his hands, said very gruffly, 
“I buy no pictures and I examine no pictures.” 
Suddenly he perceived that he had Harnack before 
him, and he changed his attitude and invited him 
to enter. Then he looked at the picture. * Marvel- 
lous,” said he, * where did you find it?” So Harnack 
told him that it was the work of Hollaender, who 
painted one half of the year and was a musician 
the other half. “It is a wonderful picture,” said 
Menzel, “ what is its history?” Harnack said that 
Hollaender saw Mommsen at work in the Vatican 
Library, and sat down and made the sketch in two 
hours. “ That just shows you,” said Menzel, *‘ how 
great we painters are. We walk the earth and do 
our work, and men do not realise nor appreciate 
how great we are. See,” said he, ‘* Mommsen is 
working with his heart and soul and with all his 
body, from the crown of his head to the sole of his 
feet. Look at that foot, how intensely it partakes 
of the labour of the hour! How great we painters 
are, and how little you all think of our greatness!” 
If Hollaender had heard the panegyric Menzel 
pronounced over his work, we feel sure he would 
never have parted with it for the paltry sum of one 
hundred marks; and yet one hundred marks was 
surely a good reward for the work of two hours.
	        

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