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Filming Far and Wide: Hong Kong’s Runaway Productions During the Cold War / Zhou, Cui (Rights reserved)

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Periodical

Title:
Journal of Chinese film studies
Publication:
Berlin Boston: de Gruyter
Note:
Gesehen am 13.7.2021
Scope:
Online-Ressource
ISSN:
2702-2285
ZDB-ID:
3043879-2 ZDB
VÖBB-Katalog:
35423591
Keywords:
Zeitschrift
Copyright:
Rights reserved
Accessibility:
Eingeschränkter Zugang mit Nutzungsbeschränkungen
Title:
Journal of Chinese film studies
Publication:
Berlin Boston: de Gruyter
Note:
Gesehen am 13.7.2021
Scope:
Online-Ressource
ISSN:
2702-2285
ZDB-ID:
3043879-2 ZDB
VÖBB-Katalog:
35423591
Keywords:
Zeitschrift
Copyright:
Rights reserved
Accessibility:
Eingeschränkter Zugang mit Nutzungsbeschränkungen

Article

Author:
Zhou, Cui
Title:
Filming Far and Wide: Hong Kong’s Runaway Productions During the Cold War
Publication:
Berlin Boston: de Gruyter, 2025
Language:
English
Scope:
Online-Ressource
Note:
Open Access unbekannt
Archivierung/Langzeitarchivierung gewährleistet
Keywords:
Cold War media ; cross-border ; Hong Kong films ; runaway production
DDC Group:
791 Öffentliche Darbietungen, Film, Rundfunk
URN:
urn:nbn:de:101:1-2603030236188.518113902327
Copyright:
Rights reserved
Accessibility:
Eingeschränkter Zugang mit Nutzungsbeschränkungen
Author:
Zhou, Cui
Title:
Filming Far and Wide: Hong Kong’s Runaway Productions During the Cold War
Publication:
Berlin Boston: de Gruyter, 2025
Language:
English
Scope:
Online-Ressource
Note:
Open Access unbekannt
Archivierung/Langzeitarchivierung gewährleistet
Keywords:
Cold War media ; cross-border ; Hong Kong films ; runaway production
DDC Group:
791 Öffentliche Darbietungen, Film, Rundfunk
URN:
urn:nbn:de:101:1-2603030236188.518113902327
Copyright:
Rights reserved
Accessibility:
Eingeschränkter Zugang mit Nutzungsbeschränkungen

Contents

Table of contents

  • Journal of Chinese film studies (Rights reserved)
  • Balanced Harmony: Aesthetic Realms in Chinese Film / Li, Zhen (Rights reserved)
  • ˜Theœ Cinematic Representation of the Factory Zone by Young Directors in the 21st Century / Wu, Qingqing (Rights reserved)
  • “Aspiration” and “Rhetoric”: Lyric Aesthetics of Chinese Small-Town Films / Meng, Jun (Rights reserved)
  • A Tapestry of a Legendary Land: the Flow and Fluidity of Beauty of Chinese Culture / Wang, Haizhou (Rights reserved)
  • Searchlight or Scalpel? The Value and Expectancy of Upstream / Li, Xiaohong (Rights reserved)
  • Contemporary Traditional Cultural Philosophy and Re-Creation: Interview with Huo Tingxiao / Xin, Wen (Rights reserved)
  • Frontmatter (Rights reserved)
  • Landscape and Memory: Homeland Narratives and Space Production of New Directors / He, Guowei (Rights reserved)
  • Xie Jin: A Distinguished Pioneer of the Mind-Nature Realism Film Paradigm / Wang, Yichuan (Rights reserved)
  • A Memorandum of the Chinese Film Industry in 2024 / Yin, Hong (Rights reserved)
  • From Drama to Film, as a Genre Bridge and New Main Melody Narrator – A Discussion on the Creation Path of Up-and-Coming Director Rao Xiaozhi / Zhuang, Jun (Rights reserved)
  • Against Flow, With Constraint: Curating Independent Film Culture in Wuhan / Wang, Zifei (Rights reserved)
  • Black Myth: Wukong and Chinese Audiovisual Culture’s Journey to the West / Bu, Jiahua (Rights reserved)
  • Taiwanese Film from Argentina: Aesthetics of Antipodality and the Dissolution of Defeat / Lifshey, Adam (Rights reserved)
  • Transborder Assemblage: The Legend of Hei in Japan / Nakajima, Seio (Rights reserved)
  • “Trans-” as A Method: Queer Kinship and Mobility in Louisa Wei’s Golden Gate Girls (2012) and Havana Divas (2018) / Ma, Wentao (Rights reserved)
  • Kung Fu Cinema as a Transnational Practice: Circulation, Interpretation, and Reinvention in Francophone Sub-Saharan Africa (ASF) / Pan, Yue (Rights reserved)
  • On the Same River: Sino-Southeast Asian Cinematic Exchanges in the Early PRC / Stenberg, Josh (Rights reserved)
  • Filming Far and Wide: Hong Kong’s Runaway Productions During the Cold War / Zhou, Cui (Rights reserved)
  • Pet Pride: The Reception of Hollywood Dog Stars in Republican-Era China / McVeigh, Rachel (Rights reserved)
  • Unveiling Wan Hoi-Ling: The Diasporic Journey of a Woman Filmmaker / Du, Qian (Rights reserved)
  • Introduction / Berry, Chris (Rights reserved)
  • Frontmatter (Rights reserved)
  • Corrigendum to: 48 articles published in JCFS from Vol. 1, Issue 1 (2021) – Vol. 4, Issue 1 (2024) (Rights reserved)
  • New Explorations in War Film Creation: Reflections on T he Volunteers: The Battle of Life and Death / Hu, Zhifeng (Rights reserved)
  • Contemporary Reinterpretation of Mythology and National Aesthetics in Cinematic Imagery: A Case Study of Ne Zha 2 / Wang, Haizhou (Rights reserved)
  • Chinese Dubbed Film Fans and “Iconic Voices”: Bridging Global and Local Identities Through Voice Actors, 1950s–1980s / Zhu, Baicheng (Rights reserved)
  • Desta Kyi and the Question of Collective Emotional Labour: Who Sustains Visibility in Chinese Film Festival / Gu, Wen (Rights reserved)
  • Local Culture and National Identity: The Conflict and Convergence of Mandarin Films and Cantonese Films in Nanyang in the 1930s / Pang, Yanfang (Rights reserved)
  • Asian American Exportation: “Chineseness” and Representation in Sino-US Animated Co-Venture Films / Fong, Benjamin Ruilin (Rights reserved)
  • Chinese Mythology and the Reconstruction of Contemporary Chinese Film Aesthetics / Chen, Linxia (Rights reserved)
  • Chinese Civilizational Symbols and the Artistic Practice of Chinese Western Films / Zhang, Ali (Rights reserved)
  • 2024 Analysis Report on Chinese Film Industry Development / Liu, Hanwen (Rights reserved)
  • Realistic Mirror, Public Discourse, and Temporal Markers: Chinese Cinema in 2024 / Ding, Yaping (Rights reserved)
  • Frontmatter (Rights reserved)
  • Imagining an Alternative Future: Children’s Bodies in Wonder Boy (1988), Magic Watch (1990), and Mad Rabbit (1997) / Liang, Shuang (Rights reserved)
  • ˜Theœ Broken Human–Object Continuum: The Technological Future and Socialist Contradictions in Rhapsody of the Ming Tombs Reservoir (1958) / Zhang, Ruiying (Rights reserved)
  • Myth and Cyber: A Study of the Narrative and Visual Language of Chinese Cyberpunk Anime Films / Wang, Xiaoya (Rights reserved)
  • Navigating the World of The Stranger (1979) After the Cultural Revolution: Unveiling Hong Kong Leftist Science Fiction Film by Bao Fang / Tsang, Raymond (CC BY)
  • Analysis Report on the Development of the Chinese Film Industry in 2023 / Liu, Hanwen (Rights reserved)
  • Century-Old Hong Kong Films and the Chinese Cultural Tradition / Wang, Haizhou (Rights reserved)
  • Ethnic Identity and Traces of Culture: Pema Tseden in a Centenary History of Films / Wang, Haizhou (Rights reserved)
  • Frontmatter (Rights reserved)
  • Renegotiating Jia Zhangke’s Contestious Auteurism on Douban / Lau, Dorothy Wai Sim (Rights reserved)
  • From Home to Homeland: Re-Imagining Chinese Diaspora in Recent Science Fiction Films / Wang, Chenfeng (Rights reserved)
  • ˜Theœ Poetics of Journey to the West (2021): Disclosing a Way to Dwell in the World / Wang, Jiawei (Rights reserved)
  • An Inquiry into Gender and Queer Issues in Chinese-Language Sci-Fi Film: A Case Study of The Soul / Cai, Jingjing (Rights reserved)
  • Consuming the White Terror: Transmedia Adaptation and Franchise-Building of Detention / Zhang, Fengyun (Rights reserved)
  • ˜Theœ Evaluation System of Global Cinematic Strength and the Advancement of Chinese Films / Tan, Zheng (Rights reserved)
  • Frontmatter (Rights reserved)
  • Cinematic Science Fiction, Indigenous Mythology, and Multispecies Entanglement: An Ecological Reading of The Mermaid (2016) / Cigarini, Chiara (Rights reserved)
  • Towards a Techno-Hauntological Aesthetic: Immiscible Time and the Spiritual Imagination in Bodyless (Shishenji, 2019) by Huang Hsin-Chien / Remy-Handfield, Gabriel (Rights reserved)
  • Introduction: Games, Gaming, and Interactive Aesthetics in Contemporary Chinese and Sinophone Cinema / Eyman, Douglas (Rights reserved)
  • Soundscape and Sense of Presence in the VR Experience of Madame Pirate: Becoming a Legend / Marianini, Désirée (Rights reserved)
  • A Palimpsest of Hong Kong Futures Across Three Fictions (1962–2046) / Overbeeke, Bram (Rights reserved)
  • Introduction / Rojas, Carlos (Rights reserved)
  • Frontmatter (Rights reserved)
  • Dreaming Fish, Becoming Fish: Animating Modern Mythology and Zhuangzian Philosophy in the Fantasy Film Big Fish & Begonia / Wang, Dingding (Rights reserved)
  • Ambivalent Utopias: Corporate Biopower and the Gendered Limits of Agency in Reset / Lei, Jun (CC BY)
  • How Does Jade Dynasty Become a Big IP? Mapping Digital Media Ecology in Contemporary China / Liu, Shasha (Rights reserved)
  • Revivalism in the New Life Movement and Cultural Conservatism in Early Chinese Films, 1934–1937 / Li, Jiuru (Rights reserved)
  • Rhythmic Vitality: Traditional Aesthetics and the Theoretical Vision of Contemporary Chinese Film Aesthetics / Chen, Linxia (Rights reserved)
  • A “Creating God” Experience of Chinese Film Industry and Aesthetics: Conversation with Wuershan, Director of Creation of the Gods I: Kingdom of Storms / Chen, Xuguang (Rights reserved)
  • Tragedy and Tender Beauty: Exploring the Tradition of Kuqing in the Chinese Film School / Liu, Fan (Rights reserved)
  • Between Shenguai and Science: The Visual Imagination of Technical Objects in Republican China / Wang, Yuhui (Rights reserved)
  • Tracing the Shape of Despair: Video Game Aesthetics and Actor-Network Theory in An Elephant Sitting Still / Wu, Xiaochu (Rights reserved)
  • ˜Theœ World is the “Hometown” of the Camera: Interview with Jia Zhangke / Wang, Bingbing (Rights reserved)

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Diese Publikation wurde im Rahmen des Kooperationsprojekts "NP Regional" von der Deutschen Nationalbibliothek übernommen. Sie fällt unter die E-Pflicht (Elektronische Pflichtpublikationen in Berlin).

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