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Reminiscences of Berlin / Taylor, Shephard Thomas (Public Domain)

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Copyright

Public Domain Mark 1.0. You can find more information here.

Bibliographic data

fullscreen: Reminiscences of Berlin / Taylor, Shephard Thomas (Public Domain)

Access restriction

There is no access restriction for this record.

Copyright

Public Domain Mark 1.0. You can find more information here.

Periodical

Title:
Wasmuths Monatshefte für Baukunst und Städtebau
Other titles:
Archiv für Geschichte und Aesthetik der Architektur
Ernst Wasmuths Monatshefte für Baukunst
Publication:
Berlin: [s.n.] 1931
Digitization:
Berlin: Zentral- und Landesbibliothek Berlin, 2006
Dates of Publication:
1.1914/15 - 15.1931; mehr nicht digital.
Note:

4.1919/20 - 5.1920/21 mit Anh.: Archiv für Geschichte und Aesthetik der Architektur Beilage: „Städtebau“ Jahrgang 25.1930-26.1931: https://digital.zlb.de/viewer/metadata/16297425/1/
Beilage: „Die Baupolitik“ Jahrgang 3.1929: https://nbn-resolving.de/urn:nbn:de:kobv:109-1-14321039
Beilage: „Städtebau, Baupolitik“ Jahrgang 4.1930-5.1931: https://digital.zlb.de/viewer/metadata/16297402/1/LOG_0000/

ZDB-ID:
2378120-8 ZDB
Previous Title:
Berliner Architekturwelt
Berlin:
B 350 Bildende Kunst: Zeitschriften. Bibliographien. Nachschlagewerke
DDC Group:
720 Architektur
Collection:
Theatre,Film,Music,Visual Arts
Berlin Locations,Architecture,Urban Development,Housing
Copyright:
Public Domain
Accessibility:
Free Access

Volume

Publication:
1915/1916
Language:
German
Digitization:
Berlin: Zentral- und Landesbibliothek Berlin, 2006
Note:
S. 43 und 44 fehlen in der Vorlage.
Wasmuths Monatshefte für Baukunst 1.1914/15
Berlin:
B 350 Bildende Kunst: Zeitschriften. Bibliographien. Nachschlagewerke
DDC Group:
720 Architektur
URN:
urn:nbn:de:kobv:109-1-15365234
Location:
Zentral- und Landesbibliothek Berlin
Copyright:
Public Domain
Accessibility:
Free Access
Collection:
Theatre,Film,Music,Visual Arts
Berlin Locations,Architecture,Urban Development,Housing

Issue

Title:
H. 11

Contents

Table of contents

  • Reminiscences of Berlin / Taylor, Shephard Thomas (Public Domain)
  • Cover
  • Illustration: Unter den Linden
  • Title page
  • I. The university
  • Illustration: The university
  • Illustration: The Löwenbrücke in the Thiergarten
  • II. The environs
  • Illustration: The grand fountain in Sans Souci
  • III. The Spreewald
  • Illustration: Spreewald maidens
  • Illustration: The Spreewald
  • IV. The Spree
  • Illustration: Köpenick on the Spree
  • Illustration: The imperial family
  • V. Royalty
  • Illustration: Pedigree of the Prussian dynasty
  • VI. The war
  • Illustration: Königs-Platz
  • Illustration: The Reichsbank
  • VII. The five milliards
  • VIII. The three emperors at Berlin
  • Illustration: The Royal Schloss
  • IX. Burning of the Kaiserhof Hotel
  • Illustration: The fire brigade
  • Illustration: The Reichstag
  • X. Celebrities
  • Illustration: The Opera House
  • XI. The jews of Berlin
  • Illustration: The exchange
  • XII. The dogs of Berlin
  • XIII. Philological
  • XIV. Etiquette
  • XV. Matrimony
  • XVI. Justice
  • XVII. Alimentary
  • XVIII. Recreation
  • Illustration: The Zoological Gardens
  • Index
  • Cover back
  • ColorChart

Full text

64 
THE SPREEWALD. 
most of their property, by converting it into useful 
meadow and glebe. Still it seems a pity that a strip of 
woodland has not been left here and there along the 
banks of the principal water-courses, as, in this way, the 
original character of the scenery might have been in 
some measure preserved, without interfering too much 
with the just claims of husbandry. 
There is, however, another aspect of the Spreewald, 
scarcely less interesting or remarkable than the peculiar 
physical conformation of the country just alluded to. 
Its inhabitants, although situated in the heart of 
Germany, and surrounded on all sides by Germans, are 
not Germans themselves. The Wends, as they are 
called, are a branch of the great Slavonic family, of 
which the Russians and the Poles are the most con 
spicuous members. Their language also presents a 
strong affinity to the Polish tongue, and I remarked that 
some of their common expressions, such as “Dobra noc" 
(Good night) and others, were almost identical with the 
corresponding expressions in Polish. The women wear 
a very singular costume, not easily described by one 
unversed in millinery lore, but which is said to bear a 
general resemblance to the dress worn by the natives of 
Alsace. Many consider them more comely than their 
Teutonic rivals; and there can be no doubt a considerable 
number of visitors wend their way to the Spreewald, 
whose chief motive for undertaking the journey is to 
catch a glimpse of the famous Wendish maidens. They 
are frequently employed as nurse-maids in Berlin, where 
their quaint costume often attracts the notice of the 
pedestrian in the spacious Thiergarten Park. These 
urban representatives of the race, however, are generally
	        

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